The Oklahoma Daily (Norman, Okla.), Vol. 65, No. 139, Ed. 1 Monday, April 9, 1979 Page: 7 of 11
This newspaper is part of the collection entitled: University of Oklahoma Student Newspapers and was provided to The Gateway to Oklahoma History by the Carl Albert Congressional Research and Studies Center.
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David Bromberg was
caught looking guilty at a
recent concert at the
Blue Onion
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Gino
Musical events
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Gino Vannelli recently performed in front of an
enthusiastic crowd at Lloyd Noble He shows
his thanks by waving to the crowds
Three on-campus musical events are scheduled for
today. The Concert Choir I will present masses by
Bach and Stravinsky at 8:15 tonight in Holmberg
Hall; famed cellist Gabor Rejto is on campus until
W ednesday as a guest of the OU Music School. He
will lead a master’s class at 8 p.m. tonight in 305 l ine
Arts Center; and James Meiller will present a clarinet
recital at 8:15 tonight in Meacham Auditorium.
The 47-member choir will present J.S. Bach's
"Mass No. 2 in A Major" and Stravinsky's "Mass”
with instrumental accompaniment.
Soloists for the masses will be Elizabeth Reel Wat-
.son, soprano; Mary Lou Dillon, contralto; James
Haw kins, tenor; and John Casey, bass.
. Cellist Rejto will lead a master class tonight. Dur-
ing the sessions, Rejto will work with associate pro-
fessor of cello Marjory Cornelius’ students.
Meiller will perform works by Brahms, Osborne,
Milhaud, Debussy and Burge, and will be ac-
companied by pianist Syh ia Coatseand percussionist
Richard Flanagan.
All of these concerts are sponsored by the OU
School of Music, and are free and open to the public.
After four years of touring and a
list of six albums to his credit,
Montreal-born Italian Gino Vannelli
made it to Oklahoma and Lloyd No-
ble Center Thursday for one of the
stops on his 35-city Brother to Brother
'79 Tour.
The Vannelli concert crowd was
warmed up by the Los Angeles-based
group Sweet Inspiration, a modern
version of the Supremes, who opened
with “Ease on Down the Road."
With a man on keyboards, one on
drums and two on guitars, the singing
trio, all dressed in red disco fashion,
delivered excellent renditions of "I’m
a Victim," Alicia Bridges’ "I Love the
Night Life,” some other disco songs
and a selection from their soon-to-be-
released album, Love is on the Way.
Sweet Inspiration’s best was their
performance of Gloria Gaynor's "I
Will Survive. ' The number was
reminiscent of a "show" put on at
Oklahoma City’s Free Spirit disco, in
which a drag queen in red garb,
similar to that of Sweet Inspiration,
"sang” and danced to the same song.
Vannelli’s well-mixed concert, utiliz-
ing two sound boards, opened with
two songs from his '75 Storm at
Sunup album—an instrumental ver-
sion of the title song, and "Love Me
Now." Moving back a year to the
Powerful People Ip, the audience w as
treated to the title cut, with an in-
strumentalsection noton the album.
Vannelli moved to his latest album,
Brother to Brother, for "Feel like
Flying,” followed by a fast-paced
"People Gotta Move.” From last
year’s Pauper in Paradise, Vannelli
et al rendered "The Surest ThingsCan
Change.
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I
I
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How Can You
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Having loosened up much in his
movements by now (Vannelli moved
with mechanical precision during his
first numbers and with fluidity in his
later ones), he sang "The Evil Eye”
and "1 Just Wanna Stop," con-
cluding with "Brother to Brother”
and, as an encore, “Appaloosa."
more of the "W ar Suite,” one of his
most adventurous and flowing com-
positions of stature equitable to
"Pauper in Paradise." There was one
more costume change — black vest
and pants and another white shirt,
showing more of someone’s affinity
for the close-fitting look.
Classifying his next number as
“jazz-type swing,” Vannelli perform-
ed a very dramatic song about life and
death, “Where am I Going,” against
a lighted background that turned
from green to blue to gold.
Vannelli introduced his next song,
"Wheels of Life,” by discussing the
work it is from, Brother to Brother,
saying how many people think it was
written about his brothers and him,
when instead it is related to the
"universal axiom of ‘peace and
brotherhood.’ Withachangefrom his
OU shirt and cling-all jeans to white
boots, white shirt and red pants dur-
ing “Prelude to the War,” from Gist
of the Gemini, came to stage for
/y
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page 7
THE OKLAHOMA DAILY, Norman, Oklahoma
Monday, April 9,1979
entertainment
Pat Connor photo
SB
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Ford, Tim. The Oklahoma Daily (Norman, Okla.), Vol. 65, No. 139, Ed. 1 Monday, April 9, 1979, newspaper, April 9, 1979; Norman, Oklahoma. (https://gateway.okhistory.org/ark:/67531/metadc1830135/m1/7/?q=%22Business%2C+Economics+and+Finance+-+Communications+-+Newspapers%22: accessed July 17, 2024), The Gateway to Oklahoma History, https://gateway.okhistory.org; crediting Carl Albert Congressional Research and Studies Center.