The Daily Transcript (Norman, Okla.), Vol. 4, No. 8, Ed. 1 Tuesday, June 13, 1916 Page: 2 of 4
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NORMAN DAILY TRANSCRIPT
nUDDY
(tyGL LtTTDURGE
ILLUSTRATED 6y RAY ^
coGY/r/crtr oy ctzzrrr rxjncrss
Aixrc^
Hall Bonistelle, urtlst-photogTapher.
torepares for the day's work In his Htudlo
lie Is reminded by Flodle Flaht-r, his aa
alstant. of a party he la to give In the
ttudlo that night. and warned that hi
business is In bad financial shape. Mr
r>oremua. attorney and Justice of th'
rsace. calls and Informs Hall that his
hcle John's will has left him $4,000,000 on
condition that he marry before his twen
ty-eighth birthday, which begins at mid
right that night Mrs Rena Royalton
cslls at the studio and Hall asks her to
marry him at once She spars for tlm
CHAPTER III—Continued.
"Mercy. Hall! Not here! Not now
Not yet!" She took a few steiw from
him, and turned to look him over,
even as he had looked at her. She
looked as a woman looks at a hat in a
milliner's, then shook her head, as If
•he were not sure It was becoming.
"No, Hall, I'm afraid I must have a lit-
tle time. I can't decide Just now—"
"Rena!"
"No, Hall. You must be patient,
dear Give me a week—H
"See here!" Hall spoke deliberately.
"Will you let me know tonight? You're
coming to my party here, tonight,
aren't you?"
"Why, yes. I was."
"Will you give me your answer
then?"
She hung Are for a moment. Flail
gave a gesture of agony—It was hia
■upreme effort and had a touch of
feniua. Mrs. Royalton, seeing, capit-
ulated. "Well, then, all light, to-
night."
Hall tried again for an embrace—
•ven while repulsing him she let him
taste her lips, then she feebly pushed
him away. "Oh, Hall, you mustn't!
Not yet, anyway—you know I haven't
Accepted you, yet. Oh, I can't decide
I've got to think it all over calmly."
"Lord, not calmly, Rena!" he ex
claimed. He gazed sadly at his shoes
"The suspense will be terrible!" he
■aid, and with elaborate emphasis,
"my darling!"
"Oh. 'Faint heart ne'er won fair
lady!'" Mrs Royalton seemed fully
two Inches taller than when she had
come In. "Now, I must go, Hall. Good-
by!" She held out her hand, an em-
press to a slave He kissed It with
fervor. And with that she smiled, and
walked out
For ten minutes Flodle had stood
•tealthlly by the door, trying to listen
Bhe had barely time to spring back to
ber desk.
"Good-by, Miss Fisher!" Mrs. Royal-
ton paused condescendingly. "I think
If you used almond cream for your
face It might do It a great deal of
Cood. Try one of those wrinkle-bands,
why don't you! They're really very
efficacious." She swished Into the
dressing room to put on her veil.
Flodle waited a moment in scornful
■Hence, then burst into the studio to
find Hall gazing in a stupor out the
window, hands in pockets, a scowl on
bis face "What did she say?" she
whispered. Hall didn't hear. "What
did she say, Mr. Bonistelle!" Flodle
was perishing of suspense.
Hall walked to the couch and
dropped down, shaking his head.
"She wanted time. Time! Confound
It—the only thing I haven't got!
What d'you think of that! I feel as if
I'd done a week's washing! I'm all
used up! Say. Flodle, It takes lots
of energy to propose, did you know
that?"
Flodle regarded him wistfully. "I
■hould think it would—especially
(when you don't mean It."
I "Oh, I mean It all right I'll stand
tor It Four millions! Lord, why
wouldn't I mean it? I'd mean any-
thing!"
"I mean when you don't really love
ber, Mr. BonlBtelle. I don't see how
you could do It. I could never do
anything like that!"
"Well, you ought to be glad you
don't have to Flodle Unfortunately, I
do. Why, she'll make a good wife,
won't she? I don't say I love her, ex-
actly; but, well, I've always liked
Kena Royalton. She's a good fellow.
She's got the looks, and the style, and
the family connections and everything.
I wouldn't be a bit ashamed of her as
Mrs Bonistelle. What's the matter
with you, Flodle? You look so queer!
Ill or anything,"
"Oh, I'm all right!" Flodle smiled
bitterly. "Only—only—"
"Well, I'll be hanged! Why, any-
body would think it was you who were
In a hole, not me. Lord, I thought you
cared enough for me to help me out!"
Bhe moved Instinctively toward
blm; Instinctively she withdrew "Oh,
I do. really I do, Mr. Bonistelle! How
can I help you? Tell me!"
"Well, what am I going to do if Mrs
Royalton refuses me. By Jove! Just
think of Its being in that woman's
power to cost me four and a half mil-
lions! It's outrageous!"
"Don't you let her, Mr. Bonistelle!"
Flodle broke out eagerly. "Oh, It isn't
light. Surely there's some other way
— a better way than that, Mr. Boni-
stelle!"
"A better way? What d'you mean?"
Hall looked at ber, puzzled.
Flodle screwed up her courage, and
reached gently for his hand. But, no.
ghe didn't qyjt take it Her
own fell. Instead, caressingly, but un-
seen, upon his sleeve.
"Oh, Mr. Bonistelle," she pleaded,
"you ought to have someone who
really cares for you—who really loves
you, you know—who would love you
always. Someone who knows how good
you are! Don't tie yourself up to a
woman like that—why, she's five years
older than you are, Mr Bonistelle—
she's middle-aged, almost—and she's
been married before, too! Why, you
want youth, Mr. Bonistelle—and fresh-
ness—and—"
"Can 1 come In?" A high cheerful
voice Interrupted them. Both turned
suddenly toward the doorway to tne
office.
CHAPTER IV.
There, standing between the por-
tieres, was a young woman looking in,
unemharrassedly, with a careless
smile on her face. She was the sort of
girl who afreets extremes In style, and
fits to her sllmness the sportiest odd
hats, the stralghtest, narrowest, short-
est skirts. But they well became her;
there was a not unpleasant masculine
note In her air and costume—a brisk-
ness and confidence that spoke of golf
and tennis, horse or boats. Without
being too pretty, she had finely cut,
sharp features, a long nose, gray eyes,
a deft chin She was most distinctly
a New York type, trim as a cutter,
clean and fresh as a hound. If Mrs.
Royalton had been willowy-languor-
ous, supersentlmental, suave, the crisp
and cool newcomer was as easily care-
loss as a boy. She waited, with an
arch, somewhat amused expression,
for an Invitation to enter,
"Oh—MIbb Dallys! Good morning!"
Hall called out and walked toward
her. "Say, would you mind waiting
Just a minute?"
"Sure!" said Carolyn Dallys. She
waved her hand Jauntily, and retreated
to the office.
Hall returned to Flodle and stared
at her dramatically. Flodie trembled.
Finally he pounded the table with one
stroko of his fist. "By Jove!" He
nodded emphatically.
"Oh, Mr. Bonistelle—you don't mean
—" Flodle looked unspeakable things.
He pointed to the door to the office,
"There's the girl, right in there! Caro-
lyn Dallys! Why didn't we think of
her before?"
Flodie winced as if he had struck
her in the face. Then she burst forth
like a waterfall. "Oh, no, no! Let me
tell you, Mr. Bonistelle! She's too
mannish, Mr. Bonistelle, Miss Dallys
is—you want a feminine woman, Mr.
Bonistelle—you know—one who can
care for you and look after you. and
see that you get up and keep your ap-
pointments and—oh, dear—can't you
see—?" She looked at him, saw he
was not listening, made another effort,
more hysterical, In sheer despair. "Oh,
Mr. Bonistelle, why, Miss Dallys cares
more for dogs and automobiles than
she does for you, Mr. Bonistelle—Mr.
Bonistelle—" Flodle took him by the
coat lapel impressively. "She smokes
ctfcarettes!"
Hall laughed and chucked her under
the chin. "Oh, that's all right! Lord.
Flodie, I don't want to marry a house-
keeper, you know. Why, I'll be a mil-
lionaire. I'll have servants to do all
that. My wife will have to know a
thing or two, you know, society, and
manners and taste. Carolyn Is right
in it. College education, music and
everything I need—drives a car, plays
polo—bridge—swims and shoots—why,
Lord, I'd be proud to death of her. You
go right in and tell her I'm ready."
Again Flodle flinched. She gave him
one hungry look and started for the of-
fice. Then a new thought stabbed her.
She turned. "What if Mrs. Royalton
should say yes? What if she should?"
Hall suddenly came to his senses.
"Say, by Jove! That would be a mix-
up, wouldn't It! I hadn't thought of
that at all." He dropped down on a
chair and looked at her hopelessly.
Did Flodie see, at the prospect of
such an entanglement, a faint hope for
her own chances? Her face, for a mo-
ment. lighted. It was anyone, now, to
beat Mrs. Royalton. Flodle foresaw
that Carolyn Dallys alone could help
her. Yes, he must propose to Carolyn.
Her voice oame artfully smooth and
sweet.
"You could hatch up a quarrel,
couldn't you—perhaps you could tell
her something he rrid—or do some-
thing—well, you know!"
"Or you could. Couldn't you. Flo-
die? You've helped me out before.
You're clever. You know women."
Flodie was a new creature now. The
primitive woman in her was aroused.
She smiled—but It was so unlike Flo-
die's sunny smile—It was electric. She
nodded sagely.
"Well, then, I'll take a chance, any-
way. uord, I think I've got a right to
make as good a choice as 1 can, If I
have to be married to order! 1 don't
see why I should ruin my whole life
Just because I happened to see Mrs.
Royalton first! You tell Carolyn I'm
all ready."
Flodle nodded, with a hard look In
her eyes. "All right," she said slowly,
and gulped sometlilng down. "It's your
funeral!" She walked alowly back to
the office and gave Miss Dallys the
message, then sat down dismally at
her desk and hid her face In her hands
Steadily the tears dropped down upon
the blotter; at regular intervals Flo-
die's shoulders rose and fell as bar
emotion swayed her. She began to
dab at her eyes with her handker
chief.
Carolyn Dallys, lithe, free, long leg
ged, walked into the studio with easy
unconsciousness. "Hello, Hall!" There
was always a half-concealed chuckle
In her voice. "Got those proofs ready,
old man? I>arn you if you haven't!"
"Really, Carolyn, I've been awfully
rushed, I haven't had a—something
very Important came up today."
"Oh. you can cut all that out Hall.
The simple reason Is you're lazy. And
I'd Just begun to believe that the little
girl out there," she nodded her head
toward the office, "had succeeded In
making you work. Well, never mind,
I can go somewhere else."
"Oh, come now! They'll be ready
tonight, I promise you. Perhaps this
afternoon, even. The fact Is, I Just
haven't been In the mood to develop
the plates, that's all."
She nodded, smiling. "Artistic tem-
perament, eh? Well, it's becoming! I
suppose I'll have to wait Say, Mrs.
Roya' on seemed to have an Idea that
she was the only one Invited to your
party, and when she found I was com-
ing tonight, she was Just a bit—well,
astelstlc."
Hall saw his chance and opened the
campaign with energy. "Lord, the
Idea!" he exclaimed. "As if I wouldn't
have you if I had anybody! Why, you
always are the first one I ask. Carolyu,
you know that!" He turned on senti-
mental lights in his eyes.
"Really?" Carolyn asked curiously.
"Of course! You know I'm awfully
fond of you, Carolyn."
"Really?" Carolyn repeated, her lips
beginning to quiver with mirth.
"Yes, by Jove, I'd hardly dare tell
you how much."
"Oh, do!" she replied lightly. "I'm
feeling awfully stodgy this morning, it
might wake me up." She tossed him a
Joyous glance and swung herself over
to the other side of the studio and fin-
gered a piece of embroidery. "Fire
away, I'm waiting!" she laughed. Then
she whistled a piece of a tune, picked
ALL USING TAFFETA
All the leading dressmakers are
using quantities of plain and shot taf-
feta. This silk i&tiow produced in spe-
cially soft qualities and in the loveliest
colors it is possible to imagine. Ha-
ven's-wing-blue taffeta is in great de-
mand for afternoon gowns and this
silk is successfully combined with a
thin make of cloth, or with crepe de
chine, writes the I'aris correspondent
of the l Jos ton Globe.
For visiting dresses taffeta Is com-
bined with fine serge, with waistcoats
of beautiful bead and silk embroidery
cleverly introduced.
For mourning dresses—of which we
have now such a need in Franco—
/mtm
',f § 17/if 1! lid
v7
<(.*;
Her Face, for a Moment, Lighted.
up a color plate and squinted at It.
"Oh, look at that! That model of
yours. Isn't It? Miss Gale? Bully!
What a stunning costume!" She stood
inspecting it
Hall, meanwhile, was watching her
sharply. He noted the trimness of her
costume, the freshness of the huge
bunch of vloleta. the whiteness of her
gloves, her picturesque, expensive hat
She was so at ease, so independent
and unconscious, that it was as If some
wild animal had entered his studio
How well she knew her world, how
conscious she was of her superiority
over most of those she met, her equal*
ity with any! She had consummate
poise; her self-esteem never waned.
She breathed the smartness, culture
and self sufficiency of her social
sphere; it protected her like an armor.
It was as if, being Carolyn Dallys. she
was Insured against any form of em-
barrassment. Carolyn was neither
particularly clever nor very rich, but
she was "Inside," aud those "inside"
have freedom. Hall himself had been,
In his time, "inside"—he had. in fact,
despite his working for a sustenance,
never been ejected. His own family
could stand the strain. He knew,
therefore, how to appreciate Carolyn's
place. Mrs. Royalton was in the
"smart" set—the set that gets Into the
newspapers—but Carolyn Dallys still
lived on Lower Fifth avenue. She was
one of the foundation stones In the so
clal structure of which Mrs. Royal-
ton was a more conspicuous pinnacle.
(TO BE CONTINUED.)
| Dance Frock for a Young Girl of Shell
Pink Silk Gauze With Rosea Made
of Black Velvet Ribbon and Silver
I Leaves.
! black taffeta Is combined with black
crepe de chine or black silk gauze.
| The bridge teas at the Ritz are ex-
ceedingly fashionable. These teas are
given for the benefit of a very impor-
tant ambulance fund, and they have
proved an unqualified success. Recent-
ly I noticed a number of well-known
society women at the crowded tables,
and some really beautiful dresses were
worn.
A very pretty girl wore a rather re-
markable frock which was comported
entirely of dark blue taffeta dotted all
' over with bright red spots. The full
skirt was trimmed with a number of
narrow flounces, arranged in Van-
I dykes, and the corsage was tight and
| high-waisted.
| There was a demure little collar—al-
j most Quaker in outline—made of white
1 organdie muslin and very long suede
I gloves met the skimpy sleeves which
failed to reach the elbows. With this
; dress a picturesque hat made of dark
| blue satin straw was worn. The* wide
j brim of this hat dropped slightly at the
' sides and the high crown was circled
by a thick wreath of shaded roues and
blackberry brambles.
Doucet is Just now making a great
many dinner gowns of black and dark
prune panne. He Is Introducing very
lovely embroideries. In which silver
threads, tiny porcelain beads and pas-
I tel-tinted silks play leading role®.
I These gowns are Intended for matrons
and almost all of them have pointed
trains which fall in a sort of fishtail
over a full petticoat.
This Is a revival of an old-world
fashion and It Is distinctly effective
when worn by the right woman, but
these fishtail trains demand dignity
from their wearers. They must not be
swished about, here and there, with-
out some reason.
brass-headed nails driven In close to
gether.
A cushion Is fastened upon the toy
of the box; a cheap cushion covered
with cretonne and of the size required
can be purchased for a small sum, and
may be secured in place with tiny
black tacks run through at each cor- j Any boy can make the 8ub8tantlal
ner, and at the sides and into the lid swtnglng porch-seat shown in Fig. 1
HANDICRAFT FOR BOYS AND GIRLS
■!
J A. NEELY HALL and DOROTHY PERKINS J
VVVWAVAWWV.VA'A'.VA'.-.V.VAVAVAW/JWWW
SWINGING SEAT
PORCH.
(Copyright, by
FOR THE
of tile box. To facilitate moving It
about, brass handles can be screwed
on at the sides of the box It desired.
GOOD USE FOR DRAIN PIPE
With Proper Decoration It Can Ba
Made Into Useful and Ornamental
Umbrella Stand.
Drain pipes make most excellent
stands for sticks, umbrellas, golf clubs,
plants, brooms, etc., It is Impossible
to knock them over, and if treated to a
Httle simple decoration, they become
ornamental as well as useful.
These pipes can usually bo had from
builders, or at any place where build-
ing is going on several are sure to be
left over, and they can be bought very
cheaply.
The pipe will need covering all over
with some enamel, paint or paper.
Some very good effects can be got'
by covering the pipe over with left-
over paper; thick paper would be suit-
able for the purpose, such as embossed
paper that Is used for halls or for ceil-
ings.
If the pipe is only to stand In a
pantry as a receptacle for brooms, it
could be covered with almost any kind
of left-over wall paper.
As a rule, the best plan is to enamel
the pipe; give one coat, let that dry,
then give another, or paint It with a
paint that varnishes at the same time.
Such paint can be had In all artistic
shades of color; the tone, of course,
will depend upon the surrounding dec-
orations. Leave it to dry for several
days; it can then be decorated a little
further.
For this purpose it is a good plan
to stencil a simple pattern round the
top and bottom of It with another col-
or; this can be done with ordinary
oil paint or gold or silver paint. It
is a matter of only a few minutes to
paint the stencil on the pipe, and the
effect is very good. For those who
paint, a few flowers arranged grace-
fully round the pipe look very pretty,
or a little scene.
When the pipes are used as plant
stands, they should be painted or
Fig. 2 shows the completed frame-
work, and Figs. 3 and 4 details of the
end frames. The frames must be ab-
solutely rigid, and their parts very
securely nailed together, else the seat
will soon rack to pieces. You will
A. Neely 11*11)
HOME UTILITY BOXES.
Any strong cardboard box may ba
used. The one for the model was 10
Inches wide, 12 Inches long, and 9
inches deep, but of courso the propor-
tions may be that of whatever box you
find.
Fig. 2 shows the box partitioned ofl
into 12 compartments, providing re
Delivering Letters Stolen a Year Ago.
Post office inspectors at Seattle,
Wash , are endeavoring to deliver to
the original addresses 500 letters stol-
en more than a year ago from the
Seattle post office by W. A. Byers, a
former postal clerk, and hidden by
Byers under a heap of ashes In the
fireplace of his former home.
At the time Byers was arrested
nearly 3,000 letters were found con-
cealed In an office which he main-
tained for the practice of law. He
pleaded guilty and was sent to prison
Recently L T. Merry moved into the
hotel which Byers had formerly occu-
pied and In cleaning the fireplace un
earthed the additional lettera
F00T-REST ALWAYS HANDY
Two or Three of Them in the Living
Rooms Are Now Considered Al-
most Indispensable.
The foot-rest shown in the accom-
panying sketch can bo made by the
amateur without fear of failure, at a
Useful Foot-Rest.
cost, at the most, of less than a dollar,
should all the materials for it havo to
be purchased, which Is scarcoly likely
to be the case.
To make It: In the first place pro-
cure a strong packing case, with a lid
well hinged on, measuring about 18
eighteen Inches each way and the
same measurement in height. Line the
inside of the box with brown paper,
as it will prove useful for storing all
kinds of odds and ends, and under-
neath the box, at each comer, screw
on casters. Cover the sides with some
pretty cretonne; this can bo done by
turning the material over at the edges
and underneath, and fastening it on
with tacks.
The edges of the lid are next flu-
Mil
$ & tV
see by Figs. 3 and 4 that uprights A
and B are notched to receive the hori-
zontal pieces C and D. Make pieces
A, B and C of 2-by-4-inch material, and
D of a l-by-4-lnch board. The notches
In upright B can be cut square across
the piece, but those In A must be cut
obliquely to allow for the slant of the
seat back (Fig. 4).
Eig. 3 shows the necessary measure-
ments for cutting and assembling the
parts. First lay uprights A and B
upon the floor with their ends at the
distances apart specified on the dia-
gram. Then place C and D across
them, and mark the positions for the
notches. Cut the end notches In A
and B with a saw, and the center
notch in A with a saw and chisel.
Be careful to make the notches no
wider or deeper than necessary, so
the Joints will be snug and flush. Be-
fore nailing the crosspieces In place,
cut one end of each to fit the slant of
upright A; also mark and cut off the
■ V. nf
RUBBER
Rands
TACKS
POSH PINS
ceptacles for lightweight and heavy
wrapping twine. shipping tags,
gummed labels, rubber bands, papei
clips and brass fasteners, tacks and
pushpins, passepartout paper, tubes of
library paste and glue, bottle of Ink,
and picture wire and hooks.
Fig. 4 shows how to cut the card-
board strips which partition off the
compartments. You will notice that
the upper edge of the long strips (A)
are notched from the top edge down
to the center, and that the short strips
Firm Umbrella Stand.
enameled the same shade as the plant
pot; this gives a complete look to the
stand. The stencil or other decora-
tion on the pipe may be another color,
but all should harmonize together.
«nds of upright A and bevel the top
•dge as shown: Crossplece E is a
| l-by-4-lnch board of the length of C,
and is nailed to the edges of A and
B as a support for the seat boards.
After the pair of end frames have
been nailed together, connect them
j with the one by four inch boards F
and H (Fig. 2). The length for these
will be determined by whatever length
you have decided to make your porch
seat. Nail boards F to theoframe-
work, first; then nail the top board H
to uprights A, and afterward the other
three boards H. Crossplece Q Is the
size of piece E, and is fastened half-
way between the ends to support the
Color on Dark Gowns. seat boards at the center.
Bright-colored embroideries on dark- Fig. 1 shows how the seat boards
colored gowns have been shown in are fitted around the uprights, and
New York lately. A smart street nailed to the framework members
gown seen at ftn opening was of navy Buy hooks and chains at a hard-
Hue serge with embroidery in bright ware store for supporting the porch
red. The embroidery takes the form j seat Get very long hooks like those
of a narrow border finishing the edges j
of the overskirt. the girdle, the collar
and the cuffs, etc. It is simple In de-
sign, but it is the color effect that Is
sought rather than detail. Hand em-
broideries of such sort are being
largely used, and New York tailors are
using stitching of novel sort. The ma-
chine is threaded with heavy floes in
a desired color and rows of stitching
are used as finish. At a glance it looks
like a silk cord applied. It la effectfre
In spite of its simplicity.
which cross them (B) are notched
from the bottom edge to the center.
The positions for these notches must
be located carefully so as to come at
the exact Intersections of the par-
titions, and they must be cut of the
right width for the crossing partitions
to slip Into. By examining the illus-
trations you will understand how the
partitions interlock. Fasten the strips
with pins pushed through the sides of
the box into their ends (Fig. 3).
The back edge of the cover rim
must be separated from the rest of
the rim at the corners (Fig. 5), and
be glued to the back of the box, for
a hinge. Then a strip of linen must
Care of the Hair.
When one has a resting time forced
upon her Is the psychological moment j
to get busy with the hair. Every worn- j
an knows the benefits of tonic treat- j
ments, but every woman knows equal- I
ly well what a sight she is during the
process. Therefore, instead of bo- |
moaning when the baby gets the j
measles, or Ruth or Bob comes down
with chickenpox, shutting one in the '
house, improve the opportunity to 1
strengthen your locks. You can even
resort to crude petroleum without af-
flicting callers. Separate the hair Into
strands and apply tonics nightly with-
out fear of flattening; rub in vaseline
often, and let the hair hang for vcutl*
latlon.
©
©
New Coating.
Golf cords is the material of a new
■port coating and It cornea in thre
color stripes or rather thr e ahadei
ti"d o!T with ornamental braid and of the same color.
shown In Fig. 5, with long screws tfcat
will screw at least 3 Inches Into
the seat uprights and porch celling
rafters; and select heavy iron chains.
Fig. 1 shows how to join each pair
of end chains several feet above the
seat arms so but a single end chain
will connect with each of the two
celling hooks.
When you have completed the car-
penter work on the porch seat, sand-
paper all rough portions, putty nail
holes and Joints, and give the wood
*urk two good coats of paint.
be glued to the outside of this rim
strip, and be lapped over the cover, to
re-enforce the hinge.
By covering the outside of the box
with cretonne you will greatly Improve
its appearance. Glue the cretonne to
the cardboard.
A string box to keep near the supply
of wrapping paper Is a handy article
to have In the house. Fig. 6 and 7
show a box made for three balls, one
of heavy wrapping twine, one of light-
weight cotton twine, and one of red,
blue or other color twine.
You can use a large candy box.
Fasten the cardboard partitions be-
tween the sides with pins. The rim
of the box cover may be left on It, or
may be removed In Fig. 6. Punch
holes through the cover for the ends
of the twine to run through. The out-
side of the box should be covered with
cretonne to clve it a trim appearance.
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Burke, J. J. The Daily Transcript (Norman, Okla.), Vol. 4, No. 8, Ed. 1 Tuesday, June 13, 1916, newspaper, June 13, 1916; (https://gateway.okhistory.org/ark:/67531/metadc113235/m1/2/: accessed March 28, 2024), The Gateway to Oklahoma History, https://gateway.okhistory.org; crediting Oklahoma Historical Society.